Arriving from an acclaimed Edinburgh Fringe run, Nation brings a dark, unsettling fable about nationhood and identity.

In this one-woman portrait of living with OCD, Phoebe’s obsession with lists spirals into something darker.

British-German collective fish in a dress bring a dark, unsettling show tracing hysteria from 19th-century spectacle to today’s misogyny.

Opening this April at Leeds Playhouse, Christy Lefteri’s international best-seller novel The Beekeeper of Aleppo is brought to the stage in a moving adaptation that places human connection and understanding at the heart of an unimaginable journey. 

Painfully true and often painfully funny, Funeral Teeth explores grief’s quieter losses – the moments that slip away before you realise they’re gone.

Fantasy meets punk with a Teesside twist. A joyfully chaotic celebration of youth expression and identity at The Warehouse.

This Pulitzer Prize-winning opera brings a dark contemporary parable about exploitation, coercion and the abuse of power, underpinned by a score in which chamber music and cabaret collide with electronica and punk.

Jamie Sophia Fletcher’s new staging of Macbeth lands as a Storyhouse Originals production, with the audience surrounding the action on three sides.

Following a critically acclaimed London run, Bryony Kimmings brings her new, eco-confessional show Bog Witch to HOME.

Return to the Forest is an immersive puppetry and dance experience that treats children’s theatre as a space for serious ideas.

1970s Britain. Unemployment is soaring. A Tory government is pushing through cuts. Bombs are detonating in British cities. James Graham’s political thriller traces the real-life anarchist collective fighting back against what they saw as a one-sided class war.

In a world premiere at Aviva Studios, Sinéad O’Connor’s musical power and moral defiance is translated into dance by the Tony Award-winning Sonya Tayeh.

What happens to art when speech is monitored, platforms are fragile and making work carries real risk? That question sits at the heart of this free talk with Leeds-based radical theatre company Tribe Arts.

Waiting for Godot – Samuel Beckett’s revolutionary play that changed modern theatre forever – comes to Liverpool Everyman this spring, with acclaimed actors Matthew Kelly and George Costigan in the lead roles.