Lubna Chowdhary: PLURIVERSE at Graves Gallery

Maja Lorkowska, Exhibitions Editor

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Lubna Chowdhary: PLURIVERSE

Graves Gallery, City Centre
4 July-21 December 2024

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Lubna Chowdhary, Re Verse, 2024. Courtesy the artist and Jhaveri Contemporary. Photo credit: Andrew Judd
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Graves Gallery welcomes Lubna Chowdhary and her striking, bold works in the new exhibition PLURIVERSE. The solo show includes the ceramic pieces the artist is best known for, as well as brand new drawings and sculptures.

Chowdhary is interested in the contrasting narratives of modernity and the world that surrounds us. Her geometric compositions often act as meeting points between differing visual languages, synthesised through the artist’s own vision and process. She works at the intersection of art, craft and design and successfully blurs any potential boundaries between them.

Abstract painting of overlapping black, pink and multicoloured circles on a light brown background.
Lubna Chowdhary Code 63, 2024. Courtesy the artist and Jhaveri Contemporary. Photo credit Andrew Judd

In PLURIVERSE Chowdhary’s own work is displayed in dialogue with select prints by Eduardo Palozzi and historic Indian miniature paintings. Many of her recent works originated during residencies in India and Italy this year and as a result the show centres on the titular concept of a pluriverse, coined by anthropologist Arturo Escobar. The idea relates to a ‘multiplicity of worlds’ where different ways of living and understanding are acknowledged and respected: Chowdhary explores the concept by merging visual traditions associated with the East and West.

An abstract painting of blue and black striped and yellow and black striped curved lines of a pink and white background.
Lubna Chowdhary Code 61, 2024. Courtesy the artist and Jhaveri Contemporary. Photo credit Andrew Judd

PLURIVERSE features Pieces like Re-verse, 2024, a ceramic tile-work which uses geometric shapes and the tradition of calligraphy to create a new visual language, timeless yet modern. Certain Times LII, 2021, another ceramic piece featuring geometric forms and architectural elements has recently been acquired and is now part of Sheffield’s art collection. Visitors can also see Black Cube, 2024, and Sol Weave 1 and 2, made from woven thermal paper.

The artist herself says that “there is a central core of hybridity which continually shifts, settling at points on a scale between two poles of European and Asian ways of thinking and making.” Merging traditions with such extensive histories is no small feat yet despite encompassing so many varied references, Chowdhary’s visual language exudes calm and encountering her work makes for a satisfyingly grounding experience.

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