BC Camplight: Solo Piano Performance at Rough Trade Liverpool
Johnny James, Managing EditorBook now
BC Camplight
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BC Camplight doesn’t so much write albums as survive them. Over the years, Brian Christinzio has turned deportation, addiction, grief and breakdown into a catalogue of tragicomic brilliance – and his forthcoming record A Sober Conversation might be his bravest yet. Ahead of its release, Christinzio strips things back with a rare solo piano show at Rough Trade Liverpool: no bombast, no full band, just songs and stories laid bare.
Christinzio’s backstory reads like a screenplay. Tipped for greatness in early 2000s Philadelphia, two commercial flops saw him spiral into drink, drugs and self-destruction. While living in a disused church, he took a fan’s suggestion to relocate to Manchester – a city he now credits with saving his life.
Signing to Bella Union, he rebuilt his career with the baroque How To Die In The North – only to be deported days before its release. Returning via an Italian passport, he made the darker, colder Deportation Blues. Then, just before that album dropped, his father died. The resulting breakdown saw him briefly sectioned – an experience poured into 2020’s Shortly After Takeoff, a record of gallows humour, grief-stricken vulnerability and manic, genre-warping brilliance.
2023’s The Last Rotation of Earth, written in the wreckage of a long-term relationship, earned him his first UK Top 40 and the most ecstatic reviews of his career – The Sunday Times called it a masterpiece, and listening to songs like ‘She’s Gone Cold’ (above), it’s hard to disagree. But even as his star rose, Christinzio was confronting something deeper: “You can either try and achieve milestones in life or chase a dime bag,” he said. “You can’t do both.”
That clarity led him back to a trauma he’d long buried – childhood abuse at a New Jersey summer camp. A Sober Conversation tackles it head-on. “I’ve opened the door,” he says. “This album is what was on the other side.” The result is a quasi-concept album of elegant, spiralling piano work and raw lyrical excavation – still full of his trademark curveballs, but shaped by sobriety and, for once, control.
The tracks released so far offer a window in. The sparkling ‘Two Legged Dog’, featuring The Last Dinner Party’s Abigail Morris, sees Christinzio reflect on his drinking days with wounded grandeur, casting himself as the titular mutt. On ‘Where You Taking My Baby’, he confronts a man named Michael – the adult face of his childhood trauma – as the music lurches between stark piano balladry and driving, sax-powered pop. Together, they suggest a record shaped by clarity, not chaos – but still charged with Christinzio’s signature volatility.
At Rough Trade, Christinzio performs solo, offering a rare, unfiltered take on both new material (set for release on 27 June) and career highlights. Expect chaos, candour, heartbreak and hilarity – delivered by one of the most fearless performers in the country right now.