English Touring Opera at Buxton Opera House

Johnny James, Managing Editor

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English Touring Opera: Blond Eckbert and The Snowmaiden

25-26 October 2024

Always double check opening hours with the venue before making a special visit.

Blond Eckbert production image. Man on stage with screen behind him showing shadow figures.
Blond Eckbert production image by Richard Hubert Smith.
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English Touring Opera storm back into Buxton Opera House with an Autumn Season exploring the supernatural, myths and folklore, featuring Dame Judith Weir’s Blond Eckbert presented with a new staging of song cycles and cantatas, plus a brand-new production of Rimsky-Korsakov’s The Snowmaiden.

Written in 1993 by British composer Judith Weir, Blond Eckbert weaves a haunting tale of isolation and guilt, based on a supernatural short story by Romantic author Ludwig Tieck. It follows Eckbert and Berthe, who live a life of quiet solitude in their forest home. One day, an old friend pays an unexpected visit, setting in motion a series of revelations and mysteries. As these mysteries swirl and dark secrets unfold, Weir’s music astounds with its expression, complexity and concision.

Blond Eckbert production image. Two men sat in armchairs with woman stood in between them.
Blond Eckbert production image by Richard Hubert Smith.

Presented with Britten Pears Arts, ETO’s production recently opened the 75th Aldeburgh Festival – a pilgrimage for lovers of classical music. Among the glowing reviews, The Times stated that “the subtly nuanced acting and expressive singing of a fine cast adds to that sense of unease”, and Opera Now remarked “the cast showcased vocal prowess with impeccable musicality and intonation”. Much of that cast appears in Buxton, with Flora McIntosh (Berthe), Aoife Miskelly (Bird) and William Morgan (Walther/Hugo/Old Woman) reprising their roles from the Aldeburgh Festival production, and Baritone Alex Otterburn singing the role of Eckbert.

On the same evening, you’ll also be treated to Do not take my story for a fairytale, a new staging of song cycles and cantatas exploring love, isolation and the terrible wonder of the natural world. Featuring music from the same period that Tieck’s Der Blonde Eckbert was written, ETO will explore the shaping of the Romantic imagination through works by Bach, Schubert, Haydn, Beethoven, Martines and Schubert.

English Touring Opera artwork for Autumn Season 2024.
English Touring Opera.

The following night ETO step into a wintry tale of destructive love with their brand-new production of Rimsky-Korsakov’s The Snowmaiden. The first of Rimsky-Korsakov’s operas to be based on a Russian folk tale, it follows a teenage girl with a secret in her heart and a burning desire to leave the icy grip of her parents, Grandfather Frost and Spring Beauty, to live amongst mortals in an isolated village. Conjuring up the conflict between real and mythical worlds, Rimsky Korsakov’s colourfully orchestrated folk melodies follow the Snowmaiden on her transformational journey into this mortal land, which opens a Pandora’s box of human emotions with monumental consequences.

This classic coming of age tale is helmed by award-winning director Olivia Fuchs and conducted by Hannah Quinn. Soprano Ffion Edwards takes the title role, with Kitty Whately as Lyel, Joseph Doody as the Tsar, Hannah Sandison as Spring Beauty and Edward Hawkins as Grandfather Frost.

Blond Eckbert production image. Dark stage background with one man stood holding hand out to man on knees.
Blond Eckbert production image by Richard Hubert Smith.

The songs in Do not take my story for a fairytale will be performed in their original languages of German and Italian with English surtitles, while Blond Eckbert and The Snowmaiden will be sung in English.

Speaking about these productions, Robin Norton-Hale, General Director of ETO, said: “With their exploration of the experiences which shape us, whether romantic, psychological or supernatural, The Snowmaiden and our double bill of Blond Eckbert and Do not take my story for a fairytale examine our quest for individual identity and connection with others. I’m delighted that we have assembled creative teams with a wonderful blend of experience and new perspectives that will help us bring exceptional, ambitious opera to life for everyone.”

The following discounts are available:

Groups (8+)/Senior/Equal Access: £3 off (not valid in Dress Circle)

JSA/Income Support/Students/Children: Half price (not valid in Dress Circle)

Under 35s: £5 (limited availability)

Multibuy: Book both Operas and receive £10 off the total price (top two prices only)

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The Chevin is a great place for visitors to do lots of different activities and is open all year round with 5 free car parks. To help you find out whatís best for you we have divided this section up into some of these different activities.Please be aware that The Chevin is a working estate so you may see vehicles including timber-extraction lorries using some of the tracks.Self-guided WalksThe Chevin is a big place and there is a good network of paths to make your own circular walk, but if you want to follow a themed trail there is a Geology Trail, Heritage Time Trail and a route for Tree Spotters.Bikes & HorsesThere is an extensive bridleway network on the eastern parts of The Chevin that caters for a range of abilities.Orienteering and GeocachingTwo orienteering courses and a number of geocache sites are waiting to be discovered.Climbing & BoulderingThere are many fantastic crags for climbing and boulders for bouldering.Mobility Scooters & Wheelchairs
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Black Redstart Gallery is located in the Northern Quarter and runs a busy programme of exhibitions from emerging and established artists.

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