After a number of years away from the silver screen Finney returned with a vengeance in 1981. By far the most memorable role of that return is without doubt Dewey Wilson, a retired NYPD cop brought back to solve a series of brutal murders, in Wolfen
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Night Must Fall is a striking, black and white adaptation of Emlyn Williams’ unsettling play about a young killer who charms a widow and her daughter in their isolated home.
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Salford-born Albert Finney is widely regarded as one of Britain’s great actors. To celebrate his work on screen, HOME opens a season of films featuring some of his iconic roles and lesser-known works.
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In this adaptation of Henry Fielding’s novel Albert Finney followed his breakthrough role in Saturday Night, Sunday Morning with a very different role as Tom Jones.
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Most of the plaudits for Steven Soderbergh’s legal drama justifiably went to Julia Roberts for her gutsy performance in the title role of a working class woman who takes on the Pacific Gas and Electric Company.
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Adapted by Alan Silitoe from his novel of the same name, Saturday Night, Sunday Morning is a landmark film in the ‘British New Wave’ and established Albert Finney as a major figure of the period. From £5.50
This introduction to the career of Salford-born Albert Finney will look at his work from Saturday Night, Sunday Morning to Skyfall, tracing the key moments that have made him one of the most celebrated British actors working today
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RAD Screenings are back at Gorilla with a special one-off screening of Edgar Wright’s Scott Pilgrim vs. the World. Expect a quiz, music, videogames, themed food, and of course a big screen showing of Wright’s cult favourite.
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To mark the 50th anniversary of the release of Stanley Kubrick’s 2001: A Space Odyssey, FACT present a five-film retrospective of his work.
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Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen.
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In 1980s Italy, a romance blossoms between a seventeen year-old student and the older man hired as his father’s research assistant.
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Presented to coincide with the release of Zama, HOME present a series of earlier works from acclaimed Argentinian director Lucrecia Martel.
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