Johnny James

Step inside Strawberry Studios for a rare book launch exploring a pivotal chapter in Manchester’s recording history.

Coinciding with the release of Richard Linklater’s film Nouvelle Vague, this HOME course offers an accessible overview of one of cinema’s most influential movements.

The Modernist presents a body of acrylic landscapes by Salford-based artist Peter James Houghton, shaped by themes of societal decline, hiraeth and human isolation.

Adapting Ken Loach’s acclaimed film, I, Daniel Blake returns to HOME, revisiting a story whose urgency has only sharpened with time.

Day tickets are now on sale for the White Hotel’s Blackpool takeover, placing The Caretaker, Blackhaine and A Guy Called Gerald inside the town’s most iconic spaces.

Yuki Kihara reframes Pacific imagery through Fa’afafine voices, creating lush, critical artworks that unsettle long-standing colonial assumptions.

FACT’s new exhibition probes how our entanglement with AI is reshaping behaviour, identity and the fragile idea of human choice.

Vintage machines, sci-fi dreams and 30 years of restless invention. Legowelt plays in deepest darkest Salford this January.

Chris Thompson transforms PINK into an uncanny, interactive cabinet of obsessions, inviting visitors to uncover its shifting, unstable narratives.

Max Frisch’s darkly comic play The Fire Raisers arrives courtesy of new Manchester company We Merry Dancers in co-production with HER Productions.

Neil Young is opening his 2026 UK and European tour in Manchester, stepping into Heaton Park with his newest band, The Chrome Hearts.

A new Lowry exhibition pitches us into 2076, where mycelium and AI entwine to ease the climate crisis together.