Johnny James

Head to People’s History Museum for a handmade celebration of the festive season, with makers markets, crafty workshops and live music.

On the Day of the Dead, South London’s Fat Dog bring their wired, theatrical electro-punk to their biggest stage yet.

London’s The Orchestra (For Now) channel the chaos and thrill of early BCNR – darker, weirder, and completely gripping live.

Laying down dizzying assaults that ricochet between math-rock chaos and primal fury, YHWH Nailgun bring their debut album to The White Hotel.

Blending post-punk aggression with queer pop and industrial techno, New York’s Model/Actriz play Manchester in support of their second album, Pirouette.

With a ballooning fanbase, a debut EP out in the wild, and an album surely around the corner, Westside Cowboy’s current tour feels like a big one.

Technological systems shape our everyday lives in ways we rarely see. What if that changed? What if you could actually step inside one?

The Hallé presents a three-day celebration of the music of composer, conductor, creative thinker and living legend, John Adams.

The UK’s biggest annual sax gathering returns, headlined by one of the most influential figures in jazz and classical saxophone today: Branford Marsalis.

F. W. Murnau’s silent-era masterpiece Faust: A German Folk Legend gets the big screen treatment at the RNCM, with a live improvised organ score.

RNCM Opera performs Prokofiev’s L’Amour des Trois Oranges – a zesty, irreverent antidote to operatic solemnity.