Katie Gately at The White Hotel – POSTPONED

Johnny James, Managing Editor

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Katie Gately

31 March 2020

Always double check opening hours with the venue before making a special visit.

Steve Gullick
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For fans of Tim Hecker and Holly Herndon, Katie Gately is a producer and sound designer whose meticulous compositions sit somewhere between music and sound art.

Released in 2016, Gately’s debut album Color wavered between industrial collages and playful, abstract pop tunes. Tracks like ‘Tuck’ and ‘Lift’ offered up fractured rhythms, fierce licks, field recordings and layered vocals hooks. Her new album, Loom, does something similar, but with greater conviction and weightier emotion.

Loom is the night to Color’s day. Inspired by the death of her mother, Gately’s 2020 album is a deconstructed howl of grief – a meticulous exploration of her immediate response to this life-changing event. Production wise, her voice is further forward in the mix now and densely layered in choral laments above a coarse foundation of hard and brittle sound design.

The most arresting track is ‘Bracer’, a slowly evolving odyssey in which thunderous electronics and processed samples are paired with possessed-sounding orchestral instruments, each dancing to their own elegiac tune. ‘Alley’ is another highlight. This one’s all about the vocals, which, heavily layered and processed, remind us of Holly Herndon. “I am living in a womb made of dirt and dust”, she sings, sounding like a ghost drifting through some arid landscape.

Notable in this album (and across all of Gately’s work) is the heavy use of samples. On Loom we hear Gately’s own (heavily processed) recordings of screaming peacocks, shaking pill bottles, a closing coffin, howling wolves, a shovel digging, audio from her parent’s wedding and an earthquake. All of this contributes not only to the incredibly rich sonics of the thing, but to its deeply personal emotional content. While sample packs and virtual instruments are not bad things, it’s refreshing to see a producer take the long way around – and for it to pay such artistic dividends.

Loom is without doubt Gately’s best work yet, and it’s a great time to watch her live. And what better place to do that than at The White Hotel.

Where to go near Katie Gately at The White Hotel – POSTPONED

Manchester
Restaurant
Maki & Ramen

Japanese sushi and ramen restaurant on High Street, Northern Quarter, founded by Teddy Lee. House-made noodles, eight-hour broths, plus sushi, donburi and vegan options.

Restaurant Orme
Manchester
Restaurant
Restaurant Örme

A hidden gem in the suburbs of Greater Manchester, serving high-level British small plates to a soundtrack of indie rock and roll.

The Abbey
Manchester
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The Abbey

Historic Hulme pub with a very good live gig space, brought to you by the very capable team behind YES, Gorilla, Now Wave and Manchester Psych Fest.

Manchester
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Pigeon Beer Wanderer

Pigeon Beer Wanderer brings wine-level ceremony to Manchester’s new “Beermuda Triangle”, courtesy of Joshua Lightfoot and his crack team of booze experts.

Image courtesy of Unitom.
Castlefield
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UNITOM Projects

The exhibition arm of Manchester indie bookshop UNITOM is a dedicated space for contemporary visual culture in the St John’s neighbourhood.

City Centre
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Portfolio

Portfolio is a Champagne boutique on Manchester’s Bridge Street, offering a set menu of fine-dining small bites.

Manchester
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Bridge 5 Mill

Bridge 5 Mill is a sustainable event space and community hub on Beswick Street in Ancoats, hosting independent cultural projects and ethical supper clubs.

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1853 Studios

1853 Studios and Gallery is a Creative Studios and community of creative professionals occupying the 3rd floors of Osborne Mill, Oldham.

Deansgate
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Podium

Podium delivers high-end, seasonal dishes, largely geared around produce and ideas from the British Isles, but with a few deft twists and turns.

Tai Wu
Manchester
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Tai Wu

Long-standing, trend-swerving Chinese restaurant on Manchester’s Upper Brook Street, with a reputation for authentic dim sum and traditional Cantonese cuisine.

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