Opening this April at Leeds Playhouse, Christy Lefteri’s international best-seller novel The Beekeeper of Aleppo.

An acclaimed production of one of the most influential theatre works of the 20th century plays in the round at Bolton Octagon.

Olga Kaleta’s surreal dark comedy explores mental health, identity and recovery in the context of aworld where fear is starting to look like common sense.

A solo show where a Belfast childhood collides with adult life, balancing humour, care and the long shadow of political conflict.

We speak to the creative team behind Return to the Forest – a puppetry and dance show that insists young audiences deserve the same artistic ambition as anyone else.

In this one-woman portrait of living with OCD, Phoebe’s obsession with lists spirals into something darker.

Pulitzer Prize-winning opera Angel’s Bone brings a dark contemporary parable about exploitation, coercion and the abuse of power.

This brand new comedy drops us into a world of overstimulated kids, underslept adults and some of the more absurd truths of parenting.

Painfully true and often painfully funny, Funeral Teeth explores grief’s quieter losses – the moments that slip away before you realise they’re gone.

In this world premiere, Hilary Mantel’s audacious short story becomes a darkly comic psychological thriller about power, class and political anger.

Arriving from an acclaimed Edinburgh Fringe run, Nation is a dark, unsettling fable about nationhood and identity.

30 years after the IRA bomb, a new Royal Exchange play traces three centuries of Manchester history as it plays out through individual lives.