Christmas film at Cornerhouse: Have yourselves a very dark Christmas

Kevin Bourke

Forget the schmaltz and happy endings: Cornerhouse’s Christmas film season goes over to the dark side.

In amongst all the schmaltz, Christmas has undoubtedly inspired great films. But they’re not only about chestnuts roasting on an open fire or loveable in-store Santas. Even It’s A Wonderful Life (20-23 December) explores some pretty dark stuff before despairing businessman George Bailey is redeemed. So Christmas serves as an apt backdrop to more sinister things – as a special season of films at Cornerhouse this winter proves.

Take Robert Montgomery’s Lady In The Lake (14 December). Its Christmas setting only makes this 1947 Chandler chiller, told solely from gumshoe Philip Marlowe’s point of view, even more unsettling. Dreamily dark, The Curse of the Cat People (16 December) owes at least as much to the menacing atmosphere of European fairy tales as it does to 1942’s The Cat People, to which it is nominally a sequel. Only tenuously connected in terms of plot and characters, but linked by the dark vision of legendary producer Val Lewton, Curse of the Cat People was co-directed by the improbable team of Gunther von Fritsch (famous, if at all, for episodes of Flash Gordon) and Robert Wise (who, much later, made The Sound of Music).

It’s a film that tells the macabre story of an ancient countess and her dealings with the devil

Unfairly overlooked since its early 1990s release, Keith Gordon’s A Midnight Clear (19 December) is not only notable as a haunting anti-war film, but also for featuring a cast of young, up-and-coming actors, including Ethan Hawke, Gary Sinise, Peter Berg and Kevin Dillon. Speaking of haunting, Christmas wouldn’t be Christmas without a ghost story, and Ealing Studio’s Dead of Night (21 December) has four. A couple of stories in the 1945 portmanteau film were directed by the venerable Charles Crichton and Basil Dearden, but it’s best remembered for the ventriloquist’s dummy episode starring Michael Redgrave. It’s introduced by Linnie Blake, head of the university’s Centre for Gothic Studies, who also leads a discussion of forgotten British classic The Queen Of Spades (15 & 18 December), which tells the macabre story of an ancient countess and her dealings with the devil.

If all these brooding films give you the jitters, Cornerhouse has got it covered. Head to the café, present your ticket and soothe frayed nerves with a glass of mulled wine (and a slice of Panforte di Siena – just £3.95). The perfect way to have yourselves a deliciously dark Christmas, no?

Mother's Day in Manchester and the North
Spotlight on

Mother's Day in Manchester and the North

From bespoke bouquet workshops and poetry royalty to slap-up Sunday roasts and gin tastings, check out our guide of things to do with your mum this Mother's Day.

Take me there

Culture Guides

Mohair Man, 1991, by Dave Swindells
Exhibitions in the North

Cinematic sets, 90s nightclub photography and even new gallery - we have a great mix of exhibitions for you this month.

image shows pinned butterflies and pretty paper with frames
Tours and Activities in the North

Boozy tours, art workshops and a 'hobby house' that champions all things DIY, get the creative cogs whirring with our latest batch of tours and activities.

Poet Imtiaz Dharker. Photo by Ayesha Dharker
Literature Events in the North

It's like the Woolies pick'n'mix counter this month in live literature land – so much choice, we're not sure where to start digging in.

Theatre in Manchester and the North
Theatre in the North

DaDaFest’s 40th anniversary line-up, contemporary reimaginings and outlandish fringe, check out our top theatre picks for spring onwards.

We shelter here sometimes promo image. Featuring My Dog Sighs inside and abandoned building.
Cinema in the North

David Lynch, International Women's Day and Manchester Film Festival are amongst our cinematic highlights this March.

GROVE
Music in the North

We’re championing all things underground this month, with a selection of gigs and festivals that embrace the strange.